SOCIAL

Critically acclaimed festival Tarnanthi breaks records  

[by Lindsay Ferris]

Image: supplied

Tarnanthi: Festival of Contemporary Aboriginal & Torres Strait Islander Art closed on this week following months of widely celebrated exhibitions as well as events and activities across the state and at the Art Gallery of South Australia.

 

The 2019 festival, which launched on 17 October and ran for more than 100 days, attracted a record-breaking 561,927 people across the state to exhibitions as part of the festival – a 40% increase in attendances from the 2017 festival.


Internationally acclaimed and recognised as the largest festival of its kind in the world, this year’s Tarnanthi festival featured more than 1,200 artists, with works on display at AGSA and 38 partner venues, showcasing the diversity and ingenuity of contemporary Aboriginal and Torres Strait Islander artistic practice.


Tarnanthi Artistic Director Nici Cumpston says, ‘It is an honour to present Tarnanthi, providing an opportunity for artists from across the country to develop bold new work. Tarnanthi is a genuine and authentic chance to exchange, share and learn from one another.’


Tarnanthi also encompassed its annual Tarnanthi Art Fair, artist talks, performances and events. The Tarnanthi Art Fair showcased artists from 45 art centres from across the country and attracted more than 6,500 art enthusiasts. Breaking all previous records, the Art Fair had a 108% increase in attendances since 2017 and generated more than $1.2 million in art sales, all of which go directly to the artists and art centres.

 

Rhana Devenport ONZM, Director AGSA says, ‘Tarnanthi is changing the way that people understand Aboriginal and Torres Strait Islander art, in this state and across Australia, and its effect is profound.


The creativity and vision of First Nations artists showcased in Tarnanthi presents Aboriginal views in a truly dynamic and engaging way. It helps us to see and understand better who we are as a nation.’


Laura Tyler, Asset President, Olympic Dam, BHP says, ‘BHP is honoured to be the longstanding principal partner of Tarnanthi with the Art Gallery of South Australia. Tarnanthi embodies BHP’s commitment to cultural sustainability and economic empowerment and provides a direct and lasting benefit to Aboriginal and Torres Strait Islander people around the country. We are immensely proud of this ongoing and meaningful relationship, including the Art Fair, which since its inception in 2015 has generated close to $3.5 million in sales, with all profits going directly to artists and art centres. Surely there can be no better example of the power of art to drive sustainable social, cultural and economic outcomes for communities.’


Tarnanthi will return in October 2020 with a focus exhibition, highlighting senior women artists whose work includes passing on vital cultural knowledge to young women as future leaders of their communities.


For the first time, Tarnanthi will have an international presentation in 2020 with a major touring exhibition in France of works by Anangu Pitjantjatjara Yankunytjatjara (APY) artists. Initiated by senior men from the APY Lands, Kulata Tjuta is at once a contemporary art project and a cultural maintenance initiative. Meaning many spears, Kulata Tjuta is made up of 550 kulata (spears) suspended in an explosive formation that hovers above a circular installation of hand-carved piti (wooden bowls) made by Aṉangu women.

 

Presented as part of Tarnanthi in 2017, this iteration of Kulata Tjuta is now an important work in AGSA’s collection. The exhibition, supported by the Government of South Australia, is presented in partnership with the APY Collective and will occupy an
entire floor of the Musée des Beaux-Arts in Rennes, to coincide with Tarnanthi 2020 in Adelaide.


Tarnanthi: Festival of Contemporary Aboriginal and Torres Strait Islander Art is presented AGSA in partnership with BHP and with support from the Government of South Australia.

LATEST NEWS

Josephine Cashman sacked from Indigenous advisory body

[Lorena Allam, The Guardian]

The Aboriginal businesswoman Josephine Cashman has been sacked from her government advisory role, after allegations that she provided a faked letter from a senior Aboriginal leader as part of a campaign to discredit the author Bruce Pascoe.

Anthem debate highlights game leadership in Indigenous issues

[Brad Walter, NRL]

The ARL Commission will decide next week whether to discontinue the practice of performing national anthems before the annual All Stars match as the code continues to listen to the views of Indigenous players.

Sass, wit and a Deadly artistic twist! 

[by Hannah Pemberton]

Hosted by Steven Oliver, Faboriginal is an arts game show designed to test its contestants (and audiences) knowledge of Indigenous art, premiering on Thursday 13th February 2020.

LATEST NEWS

Andrew Bolt’s disappointment – An Essay

[Bruce Pascoe, Griffith Review]

I am one of Andrew Bolt's disappointments. I didn't know I had offended him until a friend sent me a copy of the column in which I was pilloried by Bolt for deciding to be black.

Tributes flow for Aboriginal Elder and Woman of Service Aunty Joan Hendriks

[Mark Bowling, Catholic Leader]

Respected Aboriginal Elder and educator Aunty Joan Hendriks is being remembered for a deep commitment to her culture, promoting reconciliation, and as a guiding light in understanding Aboriginal Creation spirituality and Christian faith.

Critically acclaimed festival Tarnanthi breaks records  

[by Lindsay Ferris]

Tarnanthi: Festival of Contemporary Aboriginal & Torres Strait Islander Art closed on this week following months of widely celebrated exhibitions as well as events and activities across the state and at the Art Gallery of South Australia.